sanjay again with his magic-guzarish

Guzaarish (English: Request) is an upcoming romantic film being directed by Sanjay Leela Bhansali and starring Hrithik Roshan and Aishwarya Rai in leading roles. The film is scheduled for release on November 19, 2010. The first look of Guzaarish released on September 23, 2010.

Aishwarya Rai has previously worked with Sanjay Leela Bhansali in two films, Hum Dil De Chuke Sanam (1999) and Devdas (2002). Hrithik Roshan and Aishwarya Rai have earlier worked together in two movies together: Dhoom 2 (2006) and Jodhaa Akbar (2008).

Hrithik Roshan as Ethan MascarenhasCast

• Aishwarya Rai as Sophie D'souza
• Aditya Roy Kapoor
• Monikangana Dutta
• Rajit Kapoor
• Shernaz Patel
• Sanjay Lafont as Father Samuel
• Nafisa Ali

Plot

Magician Ethan Mascarenhas (Hrithik Roshan) is injured when a magical trick goes wrong. He becomes a paraplegic and his only solace is his radio show and his beautiful nurse Sofia (Aishwarya Rai). However, after 14 years as a paraplegic Ethan decides that he wants to die and petitions the court for the right to commit suicide. As he struggles through the legal red tape, he decides to pass on his magical knowledge to Omar Siddiqui (Aditya Roy Kapoor).

Soundtrack

The soundtrack and the musical score have been written by Sanjay Leela Bhansali himself who makes his debut as a music director with this movie. the soundtrack which comprises of 10 tracks will be out on 15 October 2010 on T-Series.The track listing for the movie is as below:

ITS COMPLICATED-CHEARS FOR MERYL

I would give It's Complicated an 11 if it were possible! There isn't anything I would change about this movie. Meryl Streep and Alec Baldwin have a chemistry that I'm willing to beg and plead will go on. I want to see more of this duo. My direct request to Nancy Meyers is "keep these intelligent scripts coming." This story is an antidote to all the stupid stuff that's being shoveled out of Hollywood. Give us more of this! It's Complicated has both humor and pathos. Steve Martin plays a great foil to Baldwin's character. He's attractive and vulnerable. Streep has a genuine dilemma of riches with these two. If she would have to choose, how could she? In different ways, equally appealing, these guys wear their hearts on their sleeves. And before all the male moviegoers say, "ugh" and cross it off as a "chick flick," note that men in the audience laughed as hard and loud as women. "Hilarious" honestly applies to this film. The script is tight. The supporting cast is very natural. Jim Krasinski, is especially good in his role as son-in-law.basically after nancy's THE HOLIDAY ,it was a great flick ,this one is not good as the holiday but trully very fresh by the presence of my favourite meryl streep ,she is just too sexy in  her 60's ,trully a great actress that whenever we see her ,she give us a pleasent smile on our faces,catch it.

MY FAVOURITE ACTOR ABHAY IS READY IN THIS AUGUST WITH AISHA

I THINK IT'S A REMAKE OF JANE AUSTEN'S ""EMMA'"

ashutosh gavarekar's new periodic saga is coming in december 2010

i m waiting for this movie

RAAVAN'S REVIEW

Starring: Abhishek Bachchan, Aishwarya Rai Bachchan, Govinda, Ravi Kissen and introducing Vikram

Director: Mani Ratnam

Rating: ***1/2

Since the time of the announcement of Mani Ratnam’s Raavan, curiosity about how India’s most accomplished filmmaker manages to do a modern day adaptation of the mythological epic, Ramayan, has known no bounds. Thankfully, Mani succeeds in his own inimitable way. His team’s painstaking hard work shows in every frame of the film and his actors help him raise the film’s bar.

The film opens with policemen killed at various places around Lal Maati, a small town in Northern India. This is followed by abduction of the local police chief Dev’s (Vikram) wife Raagini (Aishwarya Rai). The dreaded low cast tribal lord Beera (Abhishek) is behind the kidnapping.

Dev (Vikram) immediately gets hot on the trail of Beera with trusted lieutenant Hemant (Nikhil Dwivedi) and seeks the help of the jovial forest guard Sanjeevani (Govinda).

Beera knows the dense jungle like the back of his hand and is helped by the tribals, managing to stay just one step ahead of Dev and his team.

But as the cat and mouse chase proceeds between Beera and Dev, the initial hate of Raagini for Beera subsides. As Dev inches closer, the near maniacal Beera shows he has a heart too and Raagini almost loses hers to him. What follows after Beera and Dev come face to face forms the rest of the film.

Taking on a mega epic like Ramayan and turning it on its head giving his own personal interpretation, Mani Ratnam dares to depart from the religious text and succeeds in showcasing how Ram can be a Raavan and how a Raavan can also be a Ram.

Aided by the best technical crew of Indian cinema, Mani has made his multilayered film, a technical marvel to watch with awe. The first half moves on rapidly mostly focusing on Dev’s chase of Beera, but however it gets boring beyond a point since the story hardly moves ahead.

Mani also fails to establish the exact setting of the outlaws. Are they Naxals or a modern day Robin hood gang? But it is the beginning of the second half where Mani begins to pack his solid punches and achieves the peak with an unusual climax.

Beera’s background (the reason for Raagini’s abduction), Dev’s impatience to grab Beera, Raagini’s gradual change of perception about Beera and eventually the final face off between Dev and Beera have all been terrifically captured.

Abhishek is nothing short of brilliant, portraying Beera. If you thought Abhishek delivered his best under Mani in Yuva and Guru, watch Raavan for his evolvement into an actor of true caliber. Aishwarya Rai delivers a top notch act.

Makeup less and forever battered and bruised, Aishwarya’s eyes convey a lot more than the shrieking her character has to resort to most of the time.

Vikram unfortunately is saddled with a one dimensional character for most part of the film until the climactic punch. He looks fearless and arouses enough curiosity as an actor to watch him play Beera in the Tamil version of the film.

Govinda as Sanjeevani brings on the much required comic relief in the tense proceedings and succeeds. Ravi Kissen grabs the opportunity to impress with both his hands and does well. Priyamani playing Beera’s sister, in her brief role manages to bring out the pathos of her unfortunate character.

Mani takes you to virgin locations within India never exposed before on screen. Be it the thick dense forests in Kerala or the same state’s dangerous Athirappally Waterfalls or the exotic Orcha in Madhya Pradesh and Malshej Ghat valley in Maharashtra, Santosh Sivan and Manikandan’s camera captures it all with super finesse. The action finale on the hanging bridge, a never seen before feat in Indian cinema makes your heart skip a beat.

Oscar winner A.R. Rahman’s music coupled with Gulzar’s lyrics is mesmerizing but Mani hardly gives any time for any song to register any impact, as if in a quick hurry.

The subtle statement Mani incorporates against the system on behalf of the low caste have-nots is laudable but could have been a little more elaborate.

Nevertheless, as Mani Ratnam’s metaphoric interpretation of the grand epic, Raavan definitely deserves a visit to your nearest cinema hall for its plusses certainly over ride its minuses.

MMF 8-INTO THE WILD

MY favourite movie ever,u will love,u'ill cry ,this is an outstanding movie directed by sean pan ,everyone should watch it once in their lifetime

MMF 7----The Shawshank Redemption

The Shawshank Redemption

In its Oscar year, Shawshank Redemption (written and directed by Frank Darabont, after the novella Rita Hayworth and the Shawshank Redemption, by Stephen King) was nominated for seven Academy Awards, and walked away with zero. Best Picture went to Forrest Gump, while Shawshank and Pulp Fiction were "just happy to be nominated." Of course hindsight is 20/20, but while history looks back on Gump as a good film, Pulp and Redemption are remembered as some of the all-time best. Pulp, however, was a success from the word "go," making a huge splash at Cannes and making its writer-director an American master after only two films. For Andy Dufresne and Co., success didn't come easy. Fortunately, failure wasn't a life sentence.

After opening on 33 screens with take of $727,327, the $25M film fell fast from theatres and finished with a mere $28.3M. The reasons for failure are many. Firstly, the title is a clunker. While iconic to fans today, in 1994, people knew not and cared not what a 'Shawshank' was. On the DVD, Tim Robbins laughs recounting fans congratulating him on "that 'Rickshaw' movie." Marketing-wise, the film's a nightmare, as 'prison drama' is a tough sell to women, and the story of love between two best friends doesn't spell winner to men. Worst of all, the movie is slow as molasses. As Desson Thomson writes for the Washington Post, "it wanders down subplots at every opportunity and ignores an abundance of narrative exit points before settling on its finale." But it is these same weaknesses that make the film so strong.

Firstly, its setting. The opening aerial shots of the prison are a total eye-opener. This is an amazing piece of architecture, strong and Gothic in design. Immediately, the prison becomes a character. It casts its shadow over most of the film, its tall stone walls stretching above every shot. It towers over the men it contains, blotting out all memories of the outside world. Only Andy (Robbins) holds onto hope. It's in music, it's in the sandy beaches of Zihuatanejo; "In here's where you need it most," he says. "You need it so you don't forget. Forget that there are places in the world that aren't made out of stone. That there's a - there's a - there's something inside that's yours, that they can't touch." Red (Morgan Freeman) doesn't think much of Andy at first, picking "that tall glass o' milk with the silver spoon up his ass" as the first new fish to crack. Andy says not a word, and losing his bet, Red resents him for it. But over time, as the two get to know each other, they quickly become the best of friends. This again, is one of the film's major strengths. Many movies are about love, many flicks have a side-kick to the hero, but Shawshank is the only one I can think of that looks honestly at the love between two best friends. It seems odd that Hollywood would skip this relationship time and again, when it's a feeling that weighs so much into everyone's day to day lives. Perhaps it's too sentimental to seem conventional, but Shawshank's core friendship hits all the right notes, and the film is much better for it.

It's pacing is deliberate as well. As we spend the film watching the same actors, it is easy to forget that the movie's timeline spans well over 20 years. Such a huge measure of time would pass slowly in reality, and would only be amplified in prison. And it's not as if the film lacks interest in these moments. It still knows where it's going, it merely intends on taking its sweet time getting there. It pays off as well, as the tedium of prison life makes the climax that much more exhilarating. For anyone who sees it, it is a moment never to be forgotten.

With themes of faith and hope, there is a definite religious subtext to be found here. Quiet, selfless and carefree, Andy is an obvious Christ figure. Warden Norton (Bob Gunton) is obviously modeled on Richard Nixon, who, in his day, was as close to a personified Satan as they come. But if you aren't looking for subtexts, the movie speaks to anyone in search of hope. It is a compelling drama, and a very moving film, perfectly written, acted and shot. They just don't come much better than this.

OVERALL SCORE: 9.8/10 = A+ The Shawshank Redemption served as a message of hope to Hollywood as well. More than any film in memory, it proved there is life after box office. Besting Forrest and Fiction, it ran solely on strong word of mouth and became the hottest rented film of 1995. It currently sits at #2 in the IMDb's Top 250 Films, occasionally swapping spots with The Godfather as the top ranked film of all time -- redemption indeed. If you haven't seen it yet, what the hell are you waiting for? As Andy says, "It comes down a simple choice, really. Either get busy living, or get busy dying."