Wes Anderson makes films about small worlds in which big things happen: love, heartbreak, calamities, death. In his latest, the wondrous storybook tale “Moonrise Kingdom,” a girl and a boy, both 12, run off to a remote inlet on an island where most of the adults seem disappointed and more than a little sad. The girl and the boy are very serious — about love, their plans, books, life itself — and often act older than their age. She wears bright blue eyeliner; he puffs on a corncob pipe. You wonder what their hurry is, given that here adulthood, with its quarrels, regrets and anguished pillow talk, can feel as dangerous as the storm that’s hurtling toward the island, ready to blow it all down.
Anderson’s visual style and narratives, in other words, are his own. He draws you into his fantastical worlds with beauty and humor, and while their artifice can keep you at somewhat of a distance, this only deepens the story’s emotional power, especially when he lowers the boom, as he always does.
After watching this movie now wes anderson is one of my favorite directors.this is really a cute movie about cute love..believe me its not one time watchable///i mean it
