STATE OF GOLDEN SAND WITH AMAZING ASSENCE

RAJASTHAN is an amazing,beautiful state of india ,my great grand father belongs to this state,espacially to the pink city JAIPUR,i lone some states here like JAIPUR,JODHPUR,UDAYPUR(LOOK UDAY)and last but not the least ajmer shareef,
RAJASTHAN is famous for daall bati churma,kher sanghvi,gatte,and lots of their own junk food,oh very yummyyyyyyyy and spicy.my mamma can make all these traditional deserts of this desert

hey my new and wonderfull visitor,thanks dear

Allendale, Michigan


hey my new recent visitor ,hey darling i dont know ur name ,but i want to know ,plz if u r reading now then tell me ur name and post a comment here ,i want to know more about ur state,because i m reasearching on state culture of different countries ,plz give me ur email id.i want to abt ur city ALLENDALE

yesterday i watched this movie,superb, very creative movie ,yaar hats of to james ,amazing boss ,u r trully a visinory person ,i have no words to describe my opinion really outstanding movie

i m waiting for ur next flick

MY NAME IS KHAN

     

Cast: Shah Rukh Khan, Kajol, Jimmy Shergill, Zarina Wahab




Director: Karan Johar



Rating ****



Questions of religious and national identity, of the sense of right and wrong, of combating a certain isolation that comes with a behavioural disorder. But what triumphs over all the complexities unfolding in a tumultuous post 9/11 America is Rizwan Khan and his essential goodness that tells you unwaveringly - his name is Khan and he is not a terrorist.



Director Karan Johar is in unfamiliar territory here. No candyfloss romance, no sweet nothings, nobody breaking into song. Just the super intelligent Rizwan, who has Asperger's Syndrome, a form of autism, his halting voice with his inability to communicate, and his many relationships - with his mother, his brother, and yes, Mandira, and her son Sam.



Move over Rahul, Rizwan is here. Shah Rukh makes the transition from the eternal romantic to the intense Rizwan who finds love and loses it some years later when his Khan identity becomes all important in a tense, suspicious America. You sit through three hours waiting to get a glimpse of Shah Rukh through Rizwan Khan, but it doesn't happen.



If Shah Rukh lives and breathes Rizwan in what is one of his finest roles, Kajol as Mandira, the vivacious single mother, is also good - as always. The chemistry between them if not always crackling, then heartwarming.



It's an unlikely romance, not very easy to portray. But it's dealt with a light touch. There they are sitting on either side of the bed after their wedding with Mandira telling Rizwan, who doesn't like to be hugged, that this is something they can't do without touching. It's a scene that could quite easily have gone wrong, but it doesn't.



All credit to Karan Johar for that.



Like a piece of music that gradually rises to grand crescendo, "My Name Is Khan" begins with Rizwan as a child with his mother - so good to see Zarina Wahab after such a long time - in a tenement in Mumbai and ends with cheers from the US' first African American president in a crowded rally.



It's from his mother that Rizwan learns his first lessons of humanity; as the 1983 Mumbai riots rage outside, she tells the young boy that the world is divided into good people and bad people.



It is this essential humanism that carries Rizwan through from Mumbai to San Francisco where his brother stays, then to the suburb of Banville where he moves in with Mandira and Sam, and even when he is taken to be a terror suspect.



Sam, his "only best friend", is subjected to a vicious race attack because he takes on Rizwan's surname. Mandira hits back, saying that the worst thing she could have done was marry a Khan and Rizwan is out on the roads - unable to articulate his feelings but backpacking his way across the US to meet "president sahib" so he can tell him: "My name is Khan and I am not a terrorist."



It is a road journey through a troubled post 9/11 America towards humanism and the essential goodness of the human spirit.



This is a US where chanting the name of Allah gets you into trouble, where the word terrorist and Khan in conjunction can put you behind bars. Rizwan moves from being a terror suspect to a nationwide hero who exposes a terror mastermind. And then, the man with the mission who travels to Wilhelmina that is literally drowning in a hurricane to supervise a heroic rescue mission.



There's Afghanistan and Iraq, Bush and Obama too.



The US' first African American president is voted in and, in that final feel good moment Rizwan meets him in front of thousands of people and his goodness is validated.



Plenty of great one liners. When he is refused entry into a presidential fundraiser for the poor in Africa that is only for Christians, he leaves behind $500 saying: "This if for those who are not Christians in Africa."



The music by Shankar Ehsaan Loy is superb.



This is not a film without flaws, it is at least 20 minutes too long for one and flags in the pre-interval period, but here is one straight from the heart.













It has a message, in these days of tensions over language and religion, one which needs to be heard. Go watch.

JAMES BLUNT

                                                                                                                                                                              James Blunt (born James Hillier Blount; 22 February 1974, is an English singer-songwriter whose debut album, Back to Bedlam and new single releases, especially "You're Beautiful and Where is my Mind", brought him to fame in 2005. His repertoire is a mix of acoustic-tinged pop rock. Recording for Linda Perry's independent American label Custard Records, Blunt won two BRIT Awards and two Ivor Novello Awards, and was nominated for five Grammy Awards in 2006. He released his second album All The Lost Souls, in 2007                               

Music career

[edit] Early career

James Blunt in April 2006

Blunt took piano and violin lessons as a child, but his first significant exposure to popular music was at Harrow School. There, he was introduced to the guitar by a fellow student, and started playing guitar and writing songs at age 14. At Bristol University, his undergraduate thesis was The Commodification of Image - Production of a Pop Idol; one of his main references for the thesis was , a sociologist and rock critic, and current chair of the Mercury Music Prize.
Blunt left the British Army in 2002 so that he could pursue his musical career. It was at about that time that he started using the stage name "Blunt", in part to make it easier for others to spell; "Blount" is pronounced the same way, and remains his legal surname.Shortly after leaving the Army, he was signed to EMI music publishers, and to Twenty-First Artists management. A record contract remained elusive however, with recording label executives pointing to Blunt's "posh" speaking voice as a barrier in class-divided Britain. Linda Perry, who was just launching her own Custard Records label in early 2003, heard Blunt's promotional tape when visiting London, and soon after heard him perform live at the South by Southwest Music Festival. Within a few days, Blunt signed a recording contract with Perry, and one month later he was in Los Angeles working with producer Tom Rothrock.
^{BUT AFTER ALL HE IS A GOD FEEL}

         

 

 EXAMS are coming,hohooooohuuuuuuuuuu,haaaaaaaa,what can we study in 6 days,hell faculties,bc 18 feb,all the best to all my fearing friends

BLUDY MOJO-JOJO POLITICS

HOW CAN SOME ONE USE TO A POPULAR BUDY TO BE, BE POPULARISE THEIR HELL POLICIES OF THIER CUM POLITICS,Shiv Sena IS A BETTER AND OUTSTANDING EXAMPLE OF THIS .
           HOW CAN SOMEONE DISMIS THE RIGHTS OF OUR CONSTITUTION ,Shiv Sena IS A GOOD ONE FOR THIS WORK.

                    1 BUDDE BAVLE KA DIMAG ,JO IS TIME 1 JABARDAST POLITICS KHEL RAHA HAI BUT THIS TIME GUN JO HAI VO SRK KE KANDHE PAR RAKHI HAI,BUT YE GUN AISI HAI JIS MEIN SE SRK KE LIYE NOTON KI BAARISH HOGI ,I DONT KNOW ABOUT  FORTH COMING MOVIE BUT I M SURE AGAR VO GHATIYA BHI HUI TO BHI HIT HOGI

Das Boot

Das Boot ("The Boat"; German pronunciation: [das boːt]) is a 1981 feature film directed by Wolfgang Petersen, adapted from a novel of the same name by Lothar-Günther Buchheim. Hans-Joachim Krug, former first officer on U-219, served as a consultant, as did Heinrich Lehmann-Willenbrock, the captain of the real U-96.
The film is the story of a single patrol of one World War II U-boat, U-96, and its crew. It depicts both the excitement of battle and the tedium of the fruitless hunt, and shows the men serving aboard U-boats as ordinary individuals with a desire to do their best for their comrades and their country. The story is based on an amalgamation of the exploits of the real U-96, a Type VIIC-class U-boat commanded by Heinrich Lehmann-Willenbrock, one of Germany's top U-boat "tonnage aces" during the war.
One of Petersen's goals was to guide the audience through "a journey to the edge of the mind" (the film's German tagline Eine Reise ans Ende des Verstandes), showing "what war is all about." Petersen heightened suspense by very rarely showing any external views of the submarine unless it is running on the surface and relying on sounds to convey action outside the boat, thus showing the audience only the claustrophobic interior the crew would see.
The original 1981 version cost DM 32 million to make. The director's meticulous attention to detail resulted in a historically accurate film that was a critical and financial success, grossing over $80 million ($190.2 million in 2009 prices) worldwide between its two releases in 1981 and 1997. Its high production cost ranks it among the most expensive films in the history of German cinema. It was the second most expensive up until that time, after Metropolis.

Plot


The story is told from the viewpoint of Lt. Werner (Herbert Grönemeyer), who has been assigned as a war correspondent on the German Submarine U-96 in October 1941. In the opening scene he joins its Captain (Jürgen Prochnow), Chief Engineer (Klaus Wennemann), and the drunken crew in a French nightclub. Thomsen (Otto Sander), another crew's captain, gives a crude drunken speech in which he mocks Adolf Hitler in celebration of his Ritterkreuz award.






The next morning, they sail out of the harbor to cheering crowds and a playing band. Werner is given a full tour of the boat and becomes acquainted with the tight quarters and the rest of the crew. As time passes, he observes ideological differences between the fresh crew members and the hardened veterans, particularly the Captain, who is embittered and cynical about the war. The new members, including Werner, are often mocked by the rest of the crew, who share a tight bond. After days of boredom, the crew is excited by another U-boat's spotting of a near-by enemy convoy. They soon locate a British destroyer but are bombarded with depth charges while preparing to attack. The explosions are deafening but the boat narrowly escapes with only light damage and they resurface safely a few hours later.






The next three weeks are spent enduring a relentless storm. Morale drops after what seems like an endless series of misfortunes, but the crew is cheered temporarily when it has a chance encounter with Thomsen's boat. Shortly after the storm ends, the boat encounters a British convoy and quickly launches four torpedoes, successfully sinking two ships. However, they are spotted by a destroyer and must dive below the submarine's rated limits to escape. The entire crew falls silent to minimize noise and avoid detection, and are repeatedly depth-charged. The Chief Mechanic, Johann, has a massive panic attack and has to be restrained. The boat sustains heavy damage but is eventually able to safely resurface in darkness. An enemy tanker remains afloat and on fire, so they torpedo the ship only to realize that there are still surviving British sailors aboard it; they watch in horror as the sailors, some on fire, desperately leap overboard and swim towards them. Following orders not to take prisoners, the Captain gives the command to back the ship away. They start heading back towards La Rochelle with a nearly exhausted fuel supply.










U-boat bunker at the harbor of La Rochelle (2007)


46°9′32″N 1°12′33″W / 46.15889°N 1.20917°W / 46.15889; -1.20917The worn-out U-boat crew looks forward to returning home to La Rochelle in time for Christmas, but the ship is ordered to La Spezia, Italy, which means passing through the Strait of Gibraltar — an area firmly controlled by the Royal Navy. Fearing for their safety, the Captain orders Werner and the Chief Engineer ashore, under the pretence that the Chief's wife is seriously ill. The U-boat makes a secret night rendezvous at the harbour of Vigo, in neutral Spain, with the SS Weser, an interned German merchant ship that clandestinely provides U-boats with fuel, torpedoes, and other supplies. The filthy officers seem out of place on the opulent luxury liner, but are warmly greeted by enthusiastic Nazi officers who are eager to hear their exploits. The Captain learns from an envoy of the German consulate that his request for Werner and the Chief to be sent back to Germany has been denied.






The crew finishes resupplying and departs for Italy. As they carefully approach Gibraltar, and are just about to dive, they are suddenly attacked by a British fighter plane, wounding the Navigator. The Captain orders the boat directly south towards the African coast at full speed. British ships begin closing in and she is forced to dive. When attempting to level off, the boat does not respond and continues to sink until, just before crushing, it lands on a sea shelf. The crew must now make numerous repairs before running out of oxygen. After over sixteen hours, they are able to surface by blowing out their ballast of water, and limp home under the cover of darkness to La Rochelle.






The crew is pale and weary upon returning to La Rochelle on Christmas Eve. Shortly after the wounded navigator is taken ashore to a waiting ambulance, Allied planes strafe the facilities. Werner and some others take refuge in the secure U-boat bunker, though most of the men are wounded. After the raid, Werner exits the bunker and discovers the lifeless bodies of four crew members. He then finds the Captain, with multiple bullet wounds and bleeding from the mouth, watching the U-boat sink at the dock. The Captain collapses after the boat disappears under the water, and Werner rushes to his side, only to recoil in horror upon

WHERE THE WINLD THINGS ARE???????????

Where the Wild Things Are is a 2009 American fantasy comedy-drama film directed by Spike Jonze and adapted from Maurice Sendak's 1963 children's book of the same name. It combines live action, performers in costumes, animatronics, and computer-generated imagery (CGI). The film stars Max Records, Catherine Keener and Mark Ruffalo, and features the voices of James Gandolfini, Paul Dano, Lauren Ambrose and Forest Whitaker. The film centers around a lonely 9-year-old boy named Max (Records) who sails away to an island inhabited by creatures known as the "wild things," who declare Max their king.
In the early 1980s Disney considered adapting the film as a blend of traditionally animated characters and computer-generated settings, but development did not go past a test film to see how the animation hybridizing would work out.^[3] In 2001, Universal Studios acquired rights to the book's adaptation and initially attempted to develop a computer-animated adaptation with Disney animator Eric Goldberg, but in 2003 the cartoon version was replaced with a live-action concept and Goldberg was dropped for Spike Jonze. The film was co-produced by actor Tom Hanks through his production company Playtone and made on an estimated budget of around $100,000,000.^[4]
The film was released on October 16, 2009 in the United States, and on December 11, 2009 in the United Kingdom. The film was met with critical acclaim and appeared on many year-end top ten lists.

Renaissance painting

RENAISSANCE ART-WAY OF DEFINING CREATIVITY

History

 Renaissance art, 1280-1400

Main article: Italian Renaissance painting

In Italy in the late 13th and early 14th centuries, the sculpture of Nicola Pisano and his son Giovanni Pisano, working at Pisa, Siena and Pistoia shows markedly classicising tendencies, probably influenced by the familiarity of these artists with ancient Roman sarcophagi. Their masterpieces are the pulpits of the Baptistery and Cathedral of Pisa. Contemporary with Giovanni Pisano, the Florentine painter Giotto developed a manner of figurative painting that was unprecedentedly naturalistic, three dimensional, life-like and classicising, when compared with that of his contemporaries and teacher Cimabue. Giotto, whose greatest work is the cycle of the Life of Christ at the Arena Chapel in Padua, was seen by the 16th century biographer Giorgio Vasari as "rescuing and restoring art" from the "crude, traditional, Byzantine style" prevalent in Italy in the 1200s.

Early Renaissance in Italy, 1400-1479

Main article: Italian Renaissance painting

Although both the Pisanos and Giotto had students and followers, the first truly Renaissance artists were not to emerge in Florence until 1401 with the competition to sculpt a set of bronze doors of the Baptistery of Florence Cathedral which drew entries from seven young sculptors including Brunelleschi, Donatello and the winner, Lorenzo Ghiberti. Brunelleschi, most famous as the architect of the dome of Florence Cathedral and the Church of San Lorenzo, created a number of sculptural works, including a lifesized Crucifix in Santa Maria Novella, renowned for its naturalism. His studies of perspective are thought to have influenced the painter Masaccio. Donatello became renowned as the greatest sculptor of the Early Renaissance, his masterpieces being his Humanist and unusually erotic statue of David, one of the icons of the Florentine republic, and his great monument to Gattamelata, the first large equestrian bronze to be created since Roman times.
The contemporary of Donatello, Massacio, was the painterly descendant of Giotto, furthering the trend towards solidity of form and naturalism of face and gesture that he had begun a century earlier. Massacio completed several panel paintings but is best known for the fresco cycle that he began in the Brancacci Chapel with the older artist Masolino and which had profound influence on later painters, including Michelangelo. Massaccio's developments were carried forward in the paintings of Fra Angelico, particularly in his frescos at the Convent of San Marco in Florence.
The treatment of the elements of perspective and light in painting was of particular concern to 15th century Florentine painters. Uccello was so obsessed with trying to achieve an appearance of perspective that, according to Vasari, it disturbed his sleep. His solutions can be seen in his masterpiece, the Battle of San Romano. Piero della Francesca made systematic and scientific studies of both light and linear perspective, the results of which can be seen in his fresco cycle of The History of the True Cross in San Francesco, Arezzo.
In Naples, the painter Antonello da Messina began using oil paints for portraits and religious paintings at a date that preceded other Italian painters, possibly about 1450. He carried this technique north and influenced the painters of Venice. One of the most significant painters of Northern Italy was Andrea Mantegna, who was decorated the interior of a room, the Camera degli Sposi for his patron Ludovico Gonzaga, setting portraits of the family and court into an illusionistic architectural space.
The end of the Early Renaissance in Italian art is marked, like its beginning, by a particular commission that drew artists together, this time in cooperation rather than competition. Pope Sixtus IV had rebuilt the Papal Chapel, named the Sistine Chapel in his honour, and commissioned a group of artists, Botticelli, Perugino, Ghirlandaio and Cosimo Rosselli to decorate its wall with fresco cycles depicting the Life of Christ and the Life of Moses. In the sixteen large paintings, the artists, although each working in his individual style, agreed on principals of format, and utilised the techniques of lighting, linear and atmospheric perspective, anatomy, foreshortening and characterisation that had been carried to a high point in the large Florentine studios of Ghiberti, Verrocchio, Ghirlandaio and Perugino.

High Renaissance art in Italy, 1475-1525

Main article: Italian Renaissance painting

The "universal genius" Leonardo da Vinci was to further perfect the aspects of pictorial art (lighting, linear and atmospheric perspective, anatomy, foreshortening and characterisation) that had preoccupied artists of the Early Renaissance, in a lifetime of studying and meticulously recording his observations of the natural world. His adoption of oil paint as his primary media meant that he could depict light and its effects on the landscape and objects more naturally and with greater dramatic effect than had ever been done before, as demonstrated in the Mona Lisa. His dissection of cadavers carried forward the understanding of skeletal and muscular anatomy, as seen in the unfinished St Jerome. His depiction of human emotion in The Last Supper set the benchmark for religious painting.
The art of Leonardo's younger contemporary Michelangelo took a very different direction. Michelangelo, in neither his painting nor his sculpture demonstrates any interest in the observation of any natural object except the human body. He perfected his technique in depicting it, while in his early twenties, by the creation of the enormous marble statue of David and the group the Pieta, in St Peter's Basilica, Rome. He then set about an exploration of the expressive possibilities of the human anatomy. His commission by Pope Julius II to paint the Sistine Chapel ceiling resulted in the supreme masterpiece of figurative composition, which was to have profound effect on every subsequent generation of European artists.
Standing alongside Leonardo and Michelangelo as the third great painter of the High Renaissance was the younger Raphael, who in a short life span painted a great number of lifelike and engaging portraits, including those of Pope Julius II and his successor Pope Leo X, and numerous portayals of the Madonna and Christ Child, including the Sistine Madonna.
In Northern Italy the High Renaissance represented by the religious paintings of Giovanni Bellini which include several large altarpieces of a type known as "Sacred Conversation" which show a group of saints around the enthroned Madonna. His contemporary Giorgione left a small number of enigmatic works, including The Tempest, the subject of which has remained a matter of speculation. The ealiest works of Titian date from the era of the High Renaissance, including a massive altarpiece The Assumption of the Virgin which combines human action and drama with spectacular colour and atmosphere.

Early Netherlandish art, 1400-1525

Main article: Early Netherlandish painting

The painters of the Low Countries at this period included Jan van Eyck, his brother Hubert van Eyck, Robert Campin, Hans Memling, Rogier van der Weyden and Hugo van der Goes. Their painting developed independently of Early Italian Renaissance painting, and without the influence of a deliberate and conscious striving to revive antiquity. The style of painting grew directly out of the Medieval arts of tempera painting, stained glass and book illumination. The media used was oil paint, which had long been utilised for painting leather ceremonial shields and accoutrements, because it was flexible and relatively durable. The earliest Netherlandish oil paintings are meticulous and detailed like tempera paintings. The material lent itself to the depiction of tonal variations and texture, so facilitating the observation of nature in great detail.
The Netherlandish painters did not approach the creation of a picture through a framework of linear perspective and correct proportion. They maintained a Medieval view of hierarchical proportion and religious symbolism, while delighting in a realistic treatment of material elements, both natural and man-made. Jan van Eyck, with his brother Hubert painted The Altarpiece of the Mystical Lamb. It is probable that Antonello da Messina became familiar with Van Eyck's work, while in Naples or Sicily. In 1475, Hugo van der Goes' Portinari Altarpiece arrived in Florence where it was to have a profound influence on many painters, most immediately Ghirlandaio who painted an altarpiece imitating its elements.
Hieronymus Bosch was a painter who employed the type of fanciful forms that were often utilised to decorate borders and letters in illuminated manuscripts, combining plant and animal forms with architectonic ones. When taken from the context of the illumination and peopled with humans, these forms give Bosch's paintings a surreal quality which have no parallel in the work of any other Renaissance painter. His masterpiece is the triptych The Garden of Earthly Delights.
Renaissance art is the painting, sculpture and decorative arts of that period of European history known as the Renaissance, emerging as a distinct style in Italy in about 1400, in parallel with developments which occurred in philosophy, literature, music and science. Renaissance art, perceived as a "rebirth" of ancient traditions, took as its foundation the art of Classical antiquity, but transformed that tradition by the absorption of recent developments in the art of Northern Europe and by application of contemporary scientific knowledge. Renaissance art, with Renaissance Humanist philosophy, spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. Renaissance art marks the transition of Europe from the Medieval period to the Early modern age.

THIS IS AN AMAZING WAY TO DEFINE THE EMOTIONS VIA THIS FIELD

SAVE TIGERS-BE THE SON OF MOTHER EARTH

Wildlife of India Project Tiger is a wildlife Conservation movement initiated in India in 1972 to protect the Bengal Tiger's. The project aims at tiger conservation in specially constituted tiger reserves representative of various biogeographical regions throughout India. It strives to maintain a viable population of this conservation reliant species in their natural environment.At the turn of the 19th century, one estimate of the tiger population in India placed the figure at 45,000. The first ever all-India tiger census was conducted in 1972 which revealed the existence of only 1827 tigers. The landmark report, Status of the Tigers, Co-predators, and Prey in India, published by the National Tiger Conservation Authority estimates only 1411 adult tigers in existence in India (plus uncensused tigers in the Sundarbans). The project was launched in 1973 in Corbett national park, and various tiger reserves were created in the country based on a 'core-buffer' strategy

As a species, we humans are a colossal failure - a real misstep in evolution. How can you explain the intelligence of a species that is incessantly working towards its own extinction....progress? Yes, we have made "strides" here and there, but who really cares? Does the tiger care? I hope my blogs will make you think about every little action you take. Do that and you will go a long way in saving tigers

CREAZY HEARTS -BEST ACTOR NOMINEE

Crazy Heart is a 2009 American musical-drama film, written and directed by Scott Cooper and based on the 1987 novel of the same name by Thomas Cobb. Jeff Bridges plays Bad Blake, a down-and-out country music singer/songwriter who tries to turn his life around after beginning a relationship with a young journalist named Jean, portrayed by Maggie Gyllenhaal. Supporting roles are played by Colin Farrell, Robert Duvall, and Beth Grant. Bridges, Farrell, and Duvall also sing in the film. The film's main character is based on a combination of Waylon Jennings, Kris Kristofferson and Merle Haggard. Cooper initially wanted to do a biopic on Haggard but found the rights to his life story were too difficult to obtain. The film has been described by Leonard Maltin as "half Big Lebowski, half Urban Cowboy meets The Wrestler".

if anyone has this movie then plz dear contact with me via blog ,b/c i have read this novel ,but i heard yesterday that ""JEFF BRIDGES""has been nominated for the best actor for 2010 ACADEMY AWARADS.

I know that this is a owesom movie b/c i have seen its reviews and they are more than outstanding

Kavi movie based on a Indian story nominated for Oscar awards 2010. Kavi movie is nominated in the Short Film (Live Action) category for Oscar awards 2010. Kavi is directed by Gregg Helvey. Kavi movie is story of a poor boy who gets in child labor and slavery trap. The boy wanted to get educated and play cricket. However he is forced to work in brick kiln compound. The story of Kavi film depicts struggle of the young boy to achieve his dreams.

Other short film nominated in the category are The Door, Instead of Abracadabra, Miracle Fish and The New Tenants.



Interestingly last year also, Slumdog Millionaire dominated the Oscar awards 2009 and there was short film "Smile Pinky" which was based on a true story in Utt


deepak if u r visiting on my blog then plz serch about this movie on torrent

THE GOLDEN ACTOR

No one can define the word acting as he did ,he was a legendry person ,without speaking even one single word he created the world of words .yesterday i saw "MODERN TIMES",i think no one in any industry either holly or bolly willllllllllll ever ,,,,,,,,outstanding movies by chaplin with lots of great emotions and a powerful but cute message also thanks to Mr. mallik for diverting my mind in a perfact direction

MONIKA-THE ITALIAN BEAUTY

MALENA is a very "god" movie ,u know why i said GOD b/c that is the word which shows the naturallity of this hot flick ,one in lifetime ,plz watch this movie ,a great experience especiaalyyyyy for guys